Hanif Kureishi on writing, dreams and his love of Tesco | Fashion Neurosis with Bella Freud | Video

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hi come in [Music]

00:15

Welcome to Fashion Neurosis Hanife Kureishi Thanks  Bella It's a great pleasure Um I've been looking   forward to doing this with you I'm so envious  of all the other people you've been invited to   have on So I'm glad finally I'm I'm here Me too  Can you tell me what clothes you're wearing and  

00:35

why you chose these particular ones today i'm  going to look down and see what I am wearing   I think I've got a blue sweater on but I didn't  choose my clothes I don't really choose my clothes   anymore I've got two carers in the morning one  who lives in and another one usually a stranger  

00:56

who pops in at 8:00 in the morning and they get me  dressed When I was younger and before my accident   I went to a lot of trouble or some trouble at  least the with what I wore and I I I thought  

01:11

about it and changed my clothes during the day  since my accident and since my body became so   injured and different Um I've kind of given up  thinking about really what what I wear or what  

01:27

I look like because when I see myself I'm so uh  uh appalled and ashamed that I I I have to look   away So I'm not really aware of what I'm wearing  But Isabella chooses my clothes and I try and wear  

01:46

plain stuff because I I don't want to be looked  at anymore to be honest to tell you the truth   I mean you don't look like you haven't taken  trouble So Isabella's doing a good job I feel   like you're you're looking like you normally  do You know you look like you care about how  

02:06

you're out and about And um I wondered if there's  anything that you do like to wear that you feel   represents you as you've always been I don't think  about that anymore really Um because I don't care  

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about it and I don't want to be looked at I don't  want to be seen because when I see photographs   of myself I see myself in a in a wheelchair  The worst thing is being in Tesco's tell you  

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the truth They've got these u huge screens Well  Tesco's is one of my favourite places but they've   got these huge screens Uh and when you're going  up the aisle you see yourself in your wheelchair   like a little beetle regressing up the up up the  aisle And of course when you're in Tesco's and  

03:00

you're looking around you can only see you're a  sort of dog's eye level of everything and you see   yourself in a wheelchair going up the aisle It's  a horrible thing to have to see Yeah But I can I   still got my brain and my mind and I can think  and write and and do [ __ ] that is useful that  

03:21

uh keeps me going Cuz you're one of our greatest  contemporary British writers and you're a novelist   a playwright You've written screen plays including  the Oscar nominated My Beautiful Laundrette which   is one of my favourite films And in December 2022  you fainted and woke up on the floor in a pool of  

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blood paralysed from the neck downwards And almost  immediately you started writing and dictated to   your partner Isabella And writing you've said has  kept you connected to wanting to stay alive is  

04:05

that yeah it's really important to me to write to  do stuff every day I get up when I finally get my   clothes on I I like to go to work and I like  to work on my blog which I do every day with  

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uh my now I do it with Carlo my second eldest son  he comes to the house every day at 10:00 and we   write the the blog and if we're not doing the  blog I do the the the film we're doing a movie   of shattered or I do something else It's really  important to me to you know not to abandon the  

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idea of myself as an artist as a writer which is  what I am and I need to remain otherwise you know   I'm just a broken body I mean most people who  have had um spinal cord injuries they've fallen  

05:00

over or fallen out of bed or dived into an empty  swimming pool or whatever and ruined their bodies   They can't go back to work most of them Yeah If  you're a truck driver you can't go back to work   etc But I can work I need to work for my dignity  for my uh sense of myself not being a a useless  

05:25

person that I that I've got some dignity which is  my contribution which is what I can earn a living   and support Isabella and do do something useful in  the world It's really became much more important   to me after the accident Yeah When I was in the  Jamali hospital after the accident few days after  

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the accident really Isabella would sit at the end  of the bed and she would type the blogs into her   phone Um and then we would start putting them on  Substack and people would start reading them and   it went round and it got bigger and bigger very  quickly and that was very gratifying because  

06:06

you're you know you're lying alone in a hospital  bed you've had this devastating accident You're   completely traumatized You think you're going to  die Um but at the same time you can communicate   with a big audience Yeah At the same time I  designed for myself a new way of writing which  

06:24

was the blog which I'd never written a blog before  It's a kind of a mixture between a sort of mission   statement and and a diary Um and so I just wrote  down any [ __ ] that was happening to me memories  

06:40

things about my dad and my mom things about being  in Brmley in the 60s and what was happening to me   that day what was happening to my body what was  happening with the physios with the nurses and   so on So it it it was like discovering a new form  of writing even as I was on the edge of death and  

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it's incredible to be creative at a time like  that But then you think if I can't be creative   now when am I going to be creative you know you  can't wait for ideal conditions Yeah I mean your   writings just seems better than ever I I've been  reading the blog ever since you started and I've  

07:19

read your book and Yeah And have you ever written  with someone else before cuz I watched a little   clip of you and Carlo Yeah And him arguing about  a word and why you should use another one And it   was so it was so exhilarating It was great It's a  brand new thing for me Bella I It never occurred  

07:39

to me that you could write with anyone else  before I mean me and Carlo we write the sentences   together and then we argue about everything the  paragraphs and so on But these are very productive   conversations Yeah they're really good conflicts  we have there So it was so interesting listening  

07:58

to that and it was clear what you were both going  for and driving at and how Yeah everything that   you both said to each other was making improving  it and as a reader the it's so immediate the  

08:16

experience and it's so enjoyable and so revelatory  It's well fantastic He's really tough Yeah he he   does what he's horrible actually What what he  does he does something called push back word I'd  

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never previously come in contact with which means  that he [ __ ] argues about everything And he says   "Oh dad dad this is so disappointing You've said  this before you know I can't I don't want to hear   another word about Brmley in the 1960s." Stuff  like that So he makes me do new stuff all the  

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time And it it's really hard work But we have long  conversations Conversations which we would never   have had in normal circumstances about everything  about sex about immigration about politics about   Tesco about trivial stuff and and big stuff But it  means that that I can write stuff that I haven't  

09:12

written before And I really like the idea of it  being quite random what we're going to write M   I mean I write might write about a trip to the  shops or I might write a political piece about   me becoming a fascist for instance which I wrote  recently I read that So it's a great new form  

09:31

that I discovered after having my accident Yeah  It's very exacting It's amazing to find a new way   of writing at a certain point in your life when  you're so established and people love your work  

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and look forward to what you're doing and Yeah  and it's like you've got this sudden new dimension   this edge that goes along with having been in  that worst accident You know you could never  

10:04

want this to happen Well you could say that trauma  or or or or or what happened to me has created an   opportunity for me to do something new I wouldn't  have done this if I hadn't got smashed my head  

10:21

in on uh Isabella's floor in Rome Yeah But it  creates an opportunity for you to do something new   I mean I regret what happened and I wish it hadn't  happened but it it it's given me a new lease of   life with the writing uh um and the opportunity to  write with Cara or to write with Isabella and to  

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write stuff that I wouldn't have said previously  So it's a it's a it's it's a late stage flowering   you might say that's come out of this terrible  occurrence But also I mean the ter terrible   occurrence is is is where we're all going and the  kindness of strangers of the carers and the nurses  

11:04

and the doctors we're all going going there So  I feel I'm writing about a common experience one   that most people have had in their families i.e  you know most of us have had accidents in our   families and people have died or where you're  going yourself as well Yeah Yeah And how will  

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you cope with your own deterioration and your  own eventual death can I ask you about clothes   and whether there was a piece of clothing you were  obsessed with as a child that you felt that would   somehow change your life oh yeah Have other people  have that yeah I was very excited when I was uh  

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I was I I used to do my uh paper round in Brmley  get up at 6:30 go to the shop and haul these this   big bag of [ __ ] papers around the streets And I  got very excited cuz I used to read all the papers   and I used to like reading newspapers and still  do Anyway one of the reasons I was doing this  

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um paper round was to buy clothes And what I  really wanted uh was to buy a pair of Levi jeans   Uh £4 I think they were at the time And I was  saving up to get these Levi jeans And I was very  

12:24

excited when I got my Levi jeans because the boy  that I was in love with guy called David Goatley   who I still in contact with today in fact um he  told me that I should wear Levis's jeans And so  

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uh I got these Levi jeans and then I got I was a  hippie Everyone in the school uh was in a gang M   So you were either a a mod a rocker a skin head or  a hippie And I was a hippie and I I wore jeans I  

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wore a purple shirt Uh and my dad got me some kind  of Indian waist coat with you know kind of glitter   things on it I was very proud of this gear And I'd  walk around Brmley High Street which is what you   had to do Yeah walk around Brmley High Street  on Saturday afternoon in your clobber And so I  

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saved up to get this clobber and then after that  we um we used to take the train up to the King's   Road Oh god Um and we'd walk up and down the  King's Road and Kings Road on the Saturdays You   probably remember it It was incredible parade of  people in their best clothes and there were these  

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incredible boutiques in the Kings Road I remember  thinking this is it This is London This is where   I want to be You know it was fantastic parade of  incredible people wearing beautiful clothes Yeah I   used to get the bus up there cuz I lived in Sussex  and I'd get the bus the number 11 bus to visit my  

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friend who lived in Pton Square at the end near  World's End But I became obsessed with what the   bus conductors were wearing and these gray suits  with a pale blue shirt This is what I remember   whether it was actually and a tie Yeah And that  was the sort of first bit of evolution of kind of  

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my my look I think I I love I loved that journey  down the King's Road and Yeah But you um did you   really start your career your writing career in  the 70s as a pornography writer cuz I started  

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writing porn around um it was really around the  after I'd left university I left Kings where I I   read philosophy but it was year of punk was the  year of the Sex Pistols and the Clash I think it  

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was 76 or 77 I can't remember We'd left university  and we were living in uh uh squats and these cold   water flats and stuff around West Kensington and  everybody was hustling you know Mhm Working as  

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uh hookers stealing London was really rough in  those days And I used to write for um magazines   uh that had you know naked girls and but in those  days they used to have writing in the magazines  

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as well Unusual that people would actually want  to read pornography It's completely absurd now   and I used to write stories for them but I'd  also write serious stuff like about the marquee   dard I remember writing a long thing about Aubry  Beardsley who I used to love So I started to make  

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a living um doing the doing this stuff It was  a good introduction but it's a stupid form poem   because there's nothing you can do with it really  that's interesting So then I stopped that and then   I started to write like early drafts of the Buddha  of suburbia I guess right which was a novel I been  

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trying to write for years but I couldn't have been  76 So I started writing it really uh uh at the end   of the end of the 80s when I wrote it properly cuz  you mentioned and I think this was much later but  

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you you knew JG Ballard would he writes very  well about sex and I'm just reading Crash at   the moment so Oh yeah that's a great book I didn't  know him at all but I've just written a blog about   um Shepherd's Bush and the Gold Hall Road and  so on where I spend every day now roaming around  

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in my wheelchair But I remember I used to see JG  Bella walking around Shepherd's Bush and it used   to freak me out completely I think there's the  world's greatest writers and he's walking down   my road Um and apparently he had a a a girlfriend  or a lover who lived uh above McDonald's on Sheps  

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Bush Green This was according to legend So uh I  was very impressed by Bard and and and love still   love his work Yes I've never read anything to I've  seen films but I've I saw Crash and I and then  

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uh I started re reading it now and it's I I wish  I'd read it years ago cuz it's so interesting and   um but you were at school in Brmley with Billy  Idol and he gave you your first tab of acid and  

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and you said that he made you throw the watch  that your dad had bought for you age 16 out of   the window on the train saying time doesn't  matter Yeah I think I think he got that Bill   Broad was his name then He used to wear little  round glasses and a duffel coat God Um I think  

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he got that from Easy Rider Oh actually But uh  Brmlin was the most incredibly boring place and   hell on earth on Sunday afternoons in the rain  But actually it was really creative as well  

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I mean a lot of the kids that I knew form bands  A lot of punk came out of Brmley Yeah The Brmley   Contingent That was a big punk thing Yeah I was at  school with the Romney Contingent I knew all those   boys I'm still in touch with some of them And  then we came to London and started hanging around  

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um Vivian Westwood's shop which was then called  Sex Oh at the end of the King's Road and all the   pubs and bars around there were full of punks on  Fridays and Saturdays And so although Brmley was   really dull there was a lot of opportunity  to be creative And the Brmley contingent I  

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mean those kids went into fashion They worked  for uh Vivian Westwood photography They were   in bands It was a very creative time despite  the fact it was so deathly darling in Romney   It was quite close to London so you could come up  to London go up the Kings Row buy clothes and get  

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involved in in what was happening really at the  end of the 60s and then into punk in the mid '7s   I wonder why it produced so many creative  people because it really did like all the I   mean obviously David Bowie as well and you and  my friend Susie Cave and there's just a lot of  

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very groundbreaking people that that came from  Brmley and I remember seeing Billy Idol in there   was used to be this punk club called the Vortex  Did you ever go then he was so good looking that   everyone slightly looked down on him cuz he was  just like he looked like a film star He was it was  

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just absurd how good-looking he was So everyone  was a bit snoot sort of contemptuous Yeah Well it   was a very creative time because of what happened  earlier which was then called the 60s you know and  

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this explosion of of of talent and and creativity  in the 60s But it really began to expand by the   70s Everyone was doing it Everyone was dressing up  You know David Bowie had been to the school that I   went to any obviously 10 years He was 10 years  older than us But he had been a huge influence  

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Everybody thought if he can be in a band he can  do it He's so unique and interesting We can start   dressing up and doing stuff you know Yeah And  in those days certainly in in in in uh in and   around London there was much more social mobility  than there is now You really felt that you know  

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you could join a band or become a photographer  or get into fashion and you could leave Brmley   behind and become a new person Yeah And reinvent  yourself and then get involved in the creative   industries there was much more flux socially  than than there probably is now I mean I was a  

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um you know a mixed race kid from the suburbs and  I thought "Fuck it I can be a writer I can be a   great writer." Even though there have been never  been any writers like like me before in the in in   in the UK in Britain I thought I could have a go  at that I can do that I didn't it didn't seem to  

21:31

me to be insurmountable that I could do that  I could do that you know because Bowie wrote   this the soundtrack for your first novel Buddha of  suburbia He wrote the the music for the TV version   the BBC version Yeah Of suburbia that was directed  by um Roger Michelle with brilliant Naveen Andrews  

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playing me So was very keen to do it He asked me  if he could do it Wow How did that happen he said   to me he said "I thought you'd never ask." I said  "Ask what that I can do the music for the Buddha  

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of suburbia?" I said "I didn't think you'd want  to do it." He said "I've never done it before."   He said he was going to do the music for the  man who fell to Earth but he was too tired at   the end to do it So he he offered to do it and he  was very keen to do it and he worked really hard  

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on it actually and his album the Burus suburbia  is a really good album One of his best albums I   I actually think he made an album at the end of  all the bits of music that he had composed for the   soundtrack God it's amazing I must get that Yeah  Yeah It's fantastic record cuz I remember once you  

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saying that you'd written a song for him but he's  I wrote you asked me to write the lyrics for um   there's a song on the album called The Buddha of  Suburbia And I said "How do you want to do this?"   He said "Oh well I do the cutups." So he said  "Write all the words down." So I went home went  

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through the Buddha of suburbia and wrote wrote all  the wrote phrases and words and bits of dialogue   and all the stuff Then I took it back to him and  he got his scissors out and he did the cutting up   And then um he wrote the song around the the the  words that I presented to him and he he he got  

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this cut up method from Burrows and Brian Yeah  Which was that you cut it up and move around and   you create sentences It's very effective way of  creating new sentences new ideas Is that why the  

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songs they have this kind of you unexpected well  they're just so brilliant The unexpected phrases   or things people are doing Yeah You can create  new ideas and new stuff out of the the random  

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mixture of different words that you then you know  move around and cut up and put in a line together   Uh I used to do it with Kia my my my son used  to write poems like that It's really effective   actually I must try Yeah Such a good idea Yeah And  growing up you received a lot of you've written  

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about receiving a lot of racist abuse being of  Pakistani origin And I wondered if you dressed   to be anonymous or to to attract attention as  a way of dealing with it and maintaining your   identity Well in Brmley at that time at the end  of the 60s7s it was quite violent There were a  

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lot of skins around and I knew all the skin I've  been to school with them and I knew their families   and so on And I was a hippie So you're in double  trouble Not only were you a py but you're a hippie   as well you know had long hair and and wore you  know loom pants and all that stuff So you're in  

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double danger of being chased around It was quite  hair raising Yeah I mean it really was It was   quite rough down in Brmley particularly in the 70s  when um the the National Front were down there you   know and the BMP were marching and around all the  time gangs of of skins and so on But I knew a lot  

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of those boys as I said and my beautiful linger  you know he's in love with her skin played by uh   Daniel de Lewis and it kind of represents a a good  friend of mine I was at school with who who later  

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on became a skinnad and uh uh you know wore a Ben  Sherman and Levis's and the big boots and you know   the ambi and all that stuff and about how you know  we were really close friends We were really close  

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to each other Um and how awkward it was when he  became a skin head and discovered that I was in   fact you know a a Paky Um and that was the basis  of of that movie Really it was so romantic how  

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how you showed the change you know it just I it's  just so brilliantly done I love it It's incredibly   moving and convincing you know Well I wrote it  originally as just a friendship I remember I was  

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in Pakistan I was I was writing it It was about  two mates one who's a Pakistani one who's a a skin   and they were were running a longer etc But when  I made it romantic when when they uh had a kiss it  

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really the the film really kicked off It really  came alive in some way And the dancing is so so   magical and poetic Incredible Yeah that's that  was Steven Fris's idea Beautiful It's so good Yeah  

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You've written about gay and bisexual characters  at a time when it was taboo but there's a lack of   shame in in your writing and it I wondered how  you'd managed to avoid this cursed condition  

27:12

Well when I wrote my be beautiful which was around  um uh I was going to say the early to mid80s there   was a lot of [ __ ] gay [ __ ] going on in London  at that time You'll remember it particularly what  

27:27

Derek Jamal was doing Um and also then there  were the Merchant Ivory films quite soon after   that which was posh gay buming Yes Um they were  really good But I wanted to do the you know a bit   of rough gay buming and the big gay sweat shop  There being a lot Simon uh uh call and what they  

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were doing So there's a lot of gay stuff going  on all the time in in in London And when we were   puns we used to go to all the gay clubs I used  remember the sombrero Yeah And Ken High Street   We used to go there and to Louis's Club which was  a Louis was great lesbian club So the gay scene  

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and the punk scene were quite adjacent to one  another So it wasn't such a big step to write a   gay relationship but in My Beautiful Landre but as  you say it hadn't really been done in the cinema  

28:23

Um it would have been quite difficult to do in  America for instance No studio would have ever   made a film about a gay skinned for instance but  you could do it in those days You could do it on   Channel 4 cuz Channel 4 was new It just started  and you could do innovative and weird [ __ ] on  

28:40

Channel 4 because nobody ever watched Channel 4  Yeah they were fantastic They It was a very good   period in in British cinema Yeah Because Channel  4 invested a lot of money in films that Derek Jman   made Neil Jordan made Steven Friers obviously made  uh several films for them Ken Lurch of course etc  

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It was a very lively period in British  cinema actually funded by television   Yeah it was wonderful And who did you look up to  style-wise at that time in the in the in the ' 70s Well you know it was a big dressing up period you  know because after uh uh uh punk everyone got got  

29:27

bored with wearing safety pins and black black  leather Everybody started dressing up and and   was the club we used to go to called the Blitz  which was in Hoben which was a big dressing up   place where boy George ran the cloak room but I  really stopped dressing up then I wasn't going  

29:44

to wear all that gear that new romantic stuff  Yeah Yeah I was not going to wear that stuff   and I wasn't going to walk around you know in full  face makeup and and all of that because you know I   was becoming a serious writer then Writers don't  need to wear makeup cuz nobody nobody ever sees a  

30:03

[ __ ] writer You sit you know your desk in your  pants Yeah And that's your your your job So by   then I started to lose interest in in clothes  And then it was the 80s which was really good  

30:19

fun you know and Soho started uh lots of more uh  restaurants in Soho clubs in Soho there's a lot of   television money advertising money so the whole  scene changed really between the end of the 70s   and and the 80s but by the 80s I'd really kind of  lost interest in in in what I was wearing was much  

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more interested in in other people and being with  creative people and starting to become a serious   uh uh uh writer That was much more important to me  then than you know parading around in gear And if  

30:57

you fancy someone and you don't like something  they're wearing does it kill your attraction   to them that's a very interesting question  because obviously because you as you suggest   you're looking at people all the time You are  looking at them What you're looking at is their  

31:16

face their gestures their eyes their mouth and  so on But you're looking at their clothes And   every day every single person in the world chooses  their clothes don't they And make a choice They're   going to be looked at and they must think what are  people going to think when they when they look at  

31:35

me so yeah you would choose a a person a lover a  friend I mean if they wore hideous clothes would   you would you dislike them but you don't do you  some people I think are more allergic to certain  

31:53

things than others But it's such an interesting  thing how even if it does put you off whether you   decide to override that or not With my girlfriends  whoever they were over the years I wouldn't want  

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them to look a mess a woman to look what I would  think of as being good that they would care for   how they looked would think about it That would be  important I guess for a man I don't know whether   it matters so much for a woman whether she  would care what you wore or what you looked at  

32:28

but I think for a man it would be quite important  that the woman had thought about how she looked I   think for a woman it it's important but not for  that reason And it's more like having a kind of   almost physical response of with withdrawing or  embarrassment I suppose in the end it's always  

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dependent on the person because someone you like  can wear these terrible things even really quite   sort of violently off-putting and you just think  oh oh well you know and if you don't like them  

33:07

you just think I must never see that person again  I guess in the 1950s everybody wore the the same   thing All the all the mothers on my street where  my where we lived in Brmley they would all wear   the same clothes They'd usually wear a penny as  well I remember my mom always wore a a penny But  

33:26

by the 60s clothes were cheap then by the 60s And  by the 60s people used to choose their clothes   and throw them away I mean in the ' 50s you wore  the same pair of trousers for 10 years And you'd   mend stuff You'd even mend your socks you know I  remember mom sewing up your socks and stuff So we  

33:44

lived we were really at the beginning of a kind  of the consumerous age when it came to clothes   of just buying stuff cheaply and chucking it away  and then buying something the week after and the   week after that But that was a totally new thing  You know my grandparents would wear the same shoes  

34:00

and get them mended and mended and mended for for  25 years You know the same pair of boots So it was   a new era for us And Bowie was a great example  of that you know that he would change his look   all the time and you think I can change my look I  can go to a shop and come out looking completely  

34:16

different become somebody else But I don't  think that had ever really happened before for   for ordinary people in British fashion I hadn't  thought about that But the idea that you could   transform yourself and become somebody else for  other people it's quite a a new thing Yeah it's  

34:35

really interesting thinking of it like that Yeah  I remember hearing about you and Steven meeting   up every Friday since you'd made my beautiful  lingerette and having I heard that you had a   salon and that you met and talked about ideas and  I thought "Oh my god I've got to go." And and then  

34:58

I heard about where it was and I appeared and you  and Steven had just had this amazing conversation   you were talking about what was going on  inside the mind of of David Blancet's dog  

35:13

um his guide dog and uh and I I wrote some I  interviewed you both for something I was doing   for another magazine It was just so inventive  and exciting and I wondered how did you meet  

35:28

Steven Friers well I met because I went around  his house I found out where he lived on Torbert   Road in those days and I got his address and so I  went round there and I um gave him the script of   my beautiful lingerette So he ran me up and told  me to come round and I and I went round and then  

35:49

later when we were working together I used to see  my analyst every Friday at 10:00 So I used to meet   Steven every Friday at 9:00 just off the Portoella  road and we used to sit together and gossip and  

36:05

have coffee and then we'd see other friends  walking up and down the Portoella road So we then   started what you call this salon which basically  just a bunch of mates having um breakfast together   Uh and it's th this was this has carried on for  20 years or 25 years and there's usually about  

36:29

you know 7 8 nine people 10 people and some people  come regularly some people come every few months   people get really pissed off with each other  because there are a lot of arguments and lots   lots of disputes particularly among the women they  they take against each other or someone ring me  

36:47

up and say I can't stand If so and so says there  I'm not coming back They can [ __ ] off Yeah And   there are a lot of big disputes particularly about  Israel and and Gaza and so on and people try and   ban each other from coming and so on I said you  can't [ __ ] ban someone from coming to a cafe  

37:04

and sitting down and having a cup of coffee and so  it does get a bit hair raising at times But other   times it's really peaceful and everybody sits down  they gossip for an hour they have coffee they eat   a quas they talk It's really fun and beautiful  and people have become quite devoted to each other  

37:21

They're used to seeing each other Every Friday  morning for 25 years you see the same people bits   of conversation and people drop out and new people  come along It's a really beautiful thing But it   happens spontaneously We never try to set it up  or organize it People just just just come and you  

37:40

realize you've been sitting with these people  for 20 years and you know them so well after   such a long time You should come back It was great  when you used to come back in the day I know I I   work so hard It's hard to get there but um I will  come back It I'll go when you go next If you do Um  

38:00

yeah it's difficult for me because uh they don't I  don't get up till it takes 2 hours for me and the   carers to to get me dressed and get me ready to to  get up So I can't get there at 9:00 in the morning  

38:15

But I we could start doing it a bit later Yeah  let's do that Cuz we both go to the same analyst   too And uh you've been going for longer than me  And I remember you saying once he's hot and he   is And I know you speak on the phone now but I  wondered did you ever think about what you were  

38:37

going to wear when you went to see him cuz I when  I first started seeing him I used to spend ages   composing my outfit even my underwear preparing  myself to for this visit this precious visit Well  

38:55

I'm quite shocked to hear that Bella And I'm  sure uh analysts might also be shocked to hear   that you're thinking about your pants when you get  around to to to to well you're undressing really   in terms of your unconscious You're you are naked  You're showing him everything that you that that  

39:17

you are So I can see that what you wear could be a  a metaphor But I lie on the couch I don't I don't   look at him I don't even remember what he looks  like to be honest I just go in or used to before   my accident lie down on the couch start [ __ ]  chattering on about whatever is on my mind my  

39:37

dreams and beefs with people etc etc I don't think  what I'm going to wear when I go to buy analyst   but I I think about what I'm going to say and what  I want to talk about And I have to say talking to  

39:52

my analysts on the phone on Mondays which is what  I do now um once a week I find it really creative   I don't know if you do Barry Yeah I find it very  creative in terms of what I'm writing you know and   I I I don't know what I'm going to do next week  in terms of my blog but when I have a conversation  

40:13

with him I often get ideas about what I will then  write about the next week or the week after terms   of the blog So just hearing his voice and talking  to him on the phone and during the silences that   there are in analysis as you know I find that  really creative and I he's always helped me with  

40:33

my writing and I know he's got a lot of writers  as as as as patients you know he's he's known as   the the the writing whisperer you know because he  really helps us yeah with our creativity Yeah you  

40:48

can think during a a session with Adam and I I  find that very uh really helpful actually and a   kind of collaboration that I have with him I know  other writers feel the same He's brilliant at that   because I remember the first when I first went to  see him and I part of my motivation it was about  

41:11

two or three years before my dad died and I said  I don't want to fall apart when he dies cuz I'm   so attached to him and he's such a big prism for  how I think about life and feel about life and I  

41:28

remember what I was wearing as well I was wearing  this Tom Ford like a cowhide coat chocolate brown   Oh yeah And I remember or I sort of made some sort  of apology about my coat and he went I think it's   fantastic Great I'm in And uh I also remember that  he I said I I feel like I have some sort of fear  

41:53

of failure And he said I actually think you have  fear of success And anyway that was about 14 or   15 years ago now But he helps me I don't know He  he he's so intelligent I feel as though he makes  

42:11

me more intelligent and have more confidence in  my ideas That's great That's the whole point Yeah   Of him existing really to make you feel like  that And I think he does that for anyone he   comes into contact with And I think there's a  good reason that many of his patients and and  

42:30

of course several of whom are our friends many of  his patients they just keep on going I think I'm   the longest I've been going for I think about 31  years Really God I'm not even cured yet I said to  

42:46

him the other day I [ __ ] cured you How long does  it take for me to be cured you seem to think that   I wouldn't ever be cured I don't want to be cured  No of loving him and going to him and finding him   useful Freud would have been appalled Freud didn't  think that you would go to an analyst for 31 years  

43:04

You know with Freud you'd be in and out after  6 months or maybe a year or you'd go for a few   months and then uh you go back later 3 years later  for a few months so on But you wouldn't go for   31 years It it would have been a madness to think  about that because he would have thought I'm sure  

43:23

Freud would have thought that would become like a  kind of excessive dependence you know or a kind of   addiction I mean what are you what the [ __ ] are  you going to talk about for 31 years but actually   I can tell you from experience there's plenty  to say Yeah I'm glad he's not a Freudian in  

43:40

that sense there's always something to say and he  seems to it's that odd that relationship of you're   paying to see somebody but I feel very loved by  him and I love him So um yeah he's a very loving  

43:56

man In your book Shattered which was published  last October you end up analyzing the dreams of   your psychiatrist Can you describe what his dreams  i I remember they were something to do with Trump  

44:13

When I was in um the rehab at the end at Stanmore  uh there was a psychiatrist there and I was really   angry He came to see me and I was really angry  I've been in hospital for nearly a year and I was  

44:32

in a bad way and I was very very grumpy Anyway  this psychiatrist came to see me I thought I   might as well meet him anyway despite the fact  I've spent much of my life in therapy But of   course psychiatrists are not therapists They don't  really not really interested in listening to you  

44:53

This psychiatrist I I really liked him but he  only had two basically had two drugs you know   He either gives you anti-depressants or if you're  crazy he gives you antiscychotics God Um otherwise   there's nothing he he can do with you Uh and he  kept saying to me "You're clinically depressed  

45:12

aren't you?" I'd say you'd be [ __ ] clinically  depressed if you were paralyzed you know and lost   the use of your arms and legs and were basically  a talking vegetable which is what I've I've become   He said "Fair enough." All he wanted to do was to  up my dose of anti-depressants So I said "Listen  

45:33

you can keep on coming to see me Um but you  know we've got to have a proper conversation   Why don't you tell me your dreams and then he so  good So he used to tell me his dreams All of his  

45:50

all of his dreams were about Donald Trump Uh and  I said "You love Donald Trump don't you you love   Donald Trump And you want to be Donald Trump I  bet millions of people want to be Donald Trump   because he's a complete [ __ ] He does whatever  he wants He says whatever he wants and he's the  

46:07

most powerful person uh almost in the world And  so we started to have long conversations with   the psychiatrist about how inhibited he was how  straight he was and how he hated it and wanted   to be more Trumplike i.e more more crazy And so we  had these quite fun conversations in my room in in  

46:28

in the hospital It passed it passed the time But  uh uh um it was a very odd situation where I I I   in fact I was treating him for depression rather  rather than the other way around So good Yeah  

46:44

that was that was the situation with me and the  psychiatrist It's just wonderful I mean the way   you write about the situation you're in and you're  never sentimental or self-pitious and you're very   matter of fact even when you're describing how bad  you feel and this part of yourself seems stronger  

47:06

than ever and you seem more loving than you I've  ever known you to seem And uh I wondered if it was   harder to show love before the accident Well I was  a much more private person before the accident and  

47:23

I had friends and I saw friends and so on but I  wasn't so dependent on other people as I as I am   now Um because I can't do anything now really I  can't use my hands So I can't uh I can't you know   fiddle around with the computer I I don't really  listen to music Um I've just got a lot of spare  

47:46

time So and I've made lots of new friends in the  last few months with people who I knew vaguely   before but I've become really close to because I  have much much longer conversations with people   for hours and hours now than I did before when  you'd meet someone you know in the pub and have a  

48:05

beer and that would be that So my life has changed  in terms of my relationships with other people   which are much more intense because I'm so needy  now You know people would come to my hospital   mostly women actually and they would spend the  day there and then bring me food and then they'd  

48:25

read me the newspapers and then they give me a  head massage and their generosity and kindness   was so impressive But I was so needy I needed it I  was desperate sitting in a [ __ ] hospital room on   your own for hours and hours alone literally  staring at the wall It was the most horrific  

48:42

situation The despair the sense that your body  was destroyed that your life had been ruined you   know and you felt absolutely like [ __ ] So you  really needed people to gather around you and show   love their love for you really And people were  incredibly loving and still are towards me in a  

49:04

way that obviously you never saw before didn't  need before So it's been a complete switch in   in that sense in terms of my relationships with  other people In January you wrote in your blog to   be motivated there must be an imagining a store  of images that you that nurture our desire And I  

49:26

wondered which of those desires motivated you  to be so connected to life as it is now That's   a very good question It's really the desire to to  to keep living You know it's the the the will to  

49:42

to to life You know when I go to bed at the end  of the end end of the day and I start to go to   sleep I want to go through in my mind what I've  done during the day who I've seen who I've talked   to what I've done with them what I've written you  know what progress I've made Because when you've  

50:02

been so close to death and when I had my accident  and was sitting upside my head in in Isabella's   apartment in Rome and I thought this I really  thought this is it I'm going to die mate I'd lost   contact with my body There was blood on the floor  around me This increasing puddle of blood that  

50:27

was coming out of my forehead God And I thought  this is it This is and this is a terrible way   to die Falling flat on your face You know it's  a bit embarrassing I wanted to you know be at   least shot by terrorists or something a bit more  exciting And I thought it was a bit wretched but  

50:48

I thought there are still things I want to do Um  books I want to write conversations I want to have   that I that I'm still engaged in So the will to  live has hasn't left me I it's stronger in me now  

51:05

I think than ever I mean you've got this ability  to make people feel filled with hope about their   own lives through what you're doing with your life  and this urgency and this incredible output and   the way your writing is so brilliant and involving  and engaging And you have a lot of writer friends  

51:27

who visit you regularly Zadei Smith and I think  Salman Rushy calls you most days And uh do you   find the effect that you're having on us your  friend is flowing back to you and you're enjoying  

51:43

the feeling of I'm not I'm not aware of of what I  can do for other people but I'm certainly aware of   how they can lift me up and how dependent you  are on on on other people for inspiration and   you that I really need to plug into their energy  because after what happened to me it's so easy to  

52:05

fall into despair It's so easy to give up you know  and I don't want to give up I I'm not depressed I   said to this psychiatrist used to say to me all  the time "Oh you're clinically depressed." I   said "I'm not really actually I'm depressed about  what's happened to me but in my spirit I'm still  

52:22

going you know and I still have the desire to live  which is as you read from that passage from from   shatter which is to do with an image of having  good conversations or an image of eating well   or an image of enjoying a book or watching  a movie These things still fill me with with  

52:41

pleasure and and with desire when I when I was  really low I would talk to um my analyst and he   and he he he kept me going during that period as  well Even though I only spoke to him once a week   or sometimes I speak to him for just 10 minutes  at a time he he managed to keep me going without  

53:01

any factuous stuff about you know uh uh hope or  encouragement or uplift What kind of things did   he say cuz that's such an interesting point It's  you know without these cliches of hope and you  

53:18

know all the sort of platitudes he never does that  and you don't do that either and you give so much   energetic force to your friends through what you  do and how how you write and how well you write  

53:34

and how how kind of um I think it weller I think  it's to do with remaining um are curious about   things and wanting to know things and wanting to  see things and wanting to talk to people about   things being fascinated by other people and still  having a libido for life you know to know other  

53:57

people to listen to them I really look forward  to uh visits from people who come around my house   and we sit and we have tea and and we talk and I  really look forward to hearing them and and and   engage with them And people come around they tell  you such weird [ __ ] I mean mad crazy stuff they  

54:16

tell you all the time A woman came around my house  the other day who I hadn't seen for about 5 years   Uh and she was married to a Russian guy who tried  to murder her I said "How's the Russian guy?" She   said to me he said "Oh he's in prison He murdered  both his parents He slashed their throats." I said  

54:35

"Uh why did he slash the throat of his mother?"  And she said "Because the mother left the window   open." And I thought "That's a great story I  wouldn't have heard that normally." God And so   you hear some mad mad stuff out there which I  really love because I can't go very far in the  

54:53

wheelchair You know I go up the Gold Hawk Road  I go around the neighborhood and and stuff but I   can't go very far But I can go very far in terms  of people's psyches in terms of getting to know   people Oh you're brilliant at it Haneie And thank  you so much for being on Fashion Neurosis It's  

55:14

just been a total joy to Well we haven't talked  much about fashion Actually I forgot I thought we   You'd be asking me about my trousers Well I did  but we did talk about fashion but a bit Yeah In   a way it's like the whole thing about fashion is  it's just a means to be the best of yourself if  

55:33

you get it If you if you can enjoy fashion and  use it as a a kind of as a tool really you know   for anything even writing it's like I find if I'm  writing I mean obviously I'm not a writer but I  

55:49

don't want to be too comfortable or too much of  a slob or the rest of my personality will start   evaporating So I have to have some tension I saw  an interview with you and you were wearing a shirt   and it was a bit like a kind of pale shirt with  stripes in It looked really good and I thought  

56:09

you know when you described how you see yourself  in the Tesco's screen and how you actually look   is very different and you look just 100% vitality  which is incredible Well thanks Bella That's cheer  

56:27

me up I really enjoyed um our our conversation  I hope other people enjoy it as well [Music]